Artículos – ingles

LIMINAL retrospective (1998-2019)

– The war on stage. On the work of Clemencia Echeverri. By: Carlos Jiménez.

– Clemencia Echeverri: LIMINAL. By: Margarita Malagón Santos.

– Ways of making worlds. Narrative and technological devices in the work of Clemencia Echeverri. By: Rodrigo Alonso.

– The work of Clemencia Echeverri. A journey to the seed of her obsessions. By: Piedad Bonnett.

– River by Assault: poetics, politics and erotics. By: María Margarita Malagón-Kurka.

– The discomfort of not knowing. “Clemencia Echeverri: Liminal”. By: Elkín Rubiano.

Duelos (Mourning)

– And when does the missing person return? Whenever the thought brings him back. By: José Roca.

– Sound debris, grieving affections. By: Juan Diego Pérez Moreno.

– The political level of mourning: an archeology of absence. By: Laura Flórez.

– “Forging grief into strength”. Challenges of the construction of memory in Colombia. About fragments of Doris Salcedo and Clemencia Echeverri’s Duels. By: María del Rosario Acosta.

– A dissonant image. By: David Medina.

– The Sound of Disappearance: on Duelos by Clemencia Echeverri. By: María del Rosario Acosta.

Various

– Art in and beyond violence in Colombia. Anthropological and existential issues in works by Clemencia Echeverri and Oscar Muñoz. By: María Margarita Malagón-Kurka.

– Clemencia Echeverri, El Espacio y los Fantasmas, Sol Astrid Giraldo, various works. Revista Universidad de Antioquia. 

– An Art of Life and Death; Clemencia Echeverri’s Audio-Visual Installations. Stephen Zepke.

– Semiotics of two multimedia works. Lin Pen Chwen, Clemencia Echeverri. Cultural accents, digital natives and immigrants. Page 44 – 57. Published in International Journal of Digital Media Design.

– Inhabiting other worlds. Proposal for an analysis of video art in Latin America. Celia Riboulet. Autonomous University of the State of Mexico.

– Photography as a strategy to tell stories of the horror of the Colombian conflict. Sonia Cogollo. University of Antioquia. Journal of research in the field of art.

– Topology and deconstruction in art: reconfigurations of the museum space. Gustavo Gómez. Calle 14 Magazine. Universidad Distrital Francisco José de Caldas.

– Clemencia Echeverri. The Ability to Move Us. By: Ivonne Pini. ArtNexus.

– Clemencia Echeverri. Arte en Colombia Magazine. Marta Rodríguez.

Skyless

– The Roar of the River Grows Ever Louder. Polluted Waters in Colombian Eco-Art. From Alicia Barner to Clemencia Echeverri. Gina McDaniel Tarver. Routledge, New York.

 – Mining Colombian contemporary art: histories, scales and techniques of gold extraction. Ana Bilbao. Burlington Contemporary. England. 

– Clemencia Echeverri: unrestful waters. José Roca. Notes for the exhibition at Sicardi Gallery, Houston.

River by Assault

– Acts of Remaining: Liquid Ecologies and Memory Work in Contemporary Art Interventions. Liliana Gómez. Routledge, New York. 

Sacrifice

– The Territories, the Needles, the Failures. By: Sol Astrid Giraldo. 

Noctule

– Discussion with Gustavo Chirolla, María Belén Sáez de Ibarra and Clemencia Echeverri.

Voluntary Testimony

– Interpellations around Clemencia Echeverri’s Versión Libre. By: Gustavo Chirolla, 2011.

Border

– Clemencia Echeverri Frontera. Catalog Obra Viva. Bank of the Republic, 2012. By: Dominique Rodriguez Dalvar.

– Border Line. El Colombiano Newspaper. 2012. By: Beatriz Mesa Mejía

Inheritance Games

– The montage and the document: the in(visible) singularity. By: Juan Carlos Arias. Catalog, 2011

– Inheritance Games frame by frame. By: Guillermo Santos. Exhibition presentation. 2011

– Clemencia Echeverri and María Margarita Malagón Kurka. Arte en Colombia Magazine No. 81/ 2011

– Inheritance Games. Tort. Catalog 2010. By: Susana Pérez. 

– Inheritance Games. The logic of spectra and the technology of memory. Unanswered Book. 2009. By: Gustavo Gómez. 

Treno

– On the threshold or for an infinite emptying. By: Juan Diego Pérez Moreno.

– Resistances To Oblivion. The Song of the Lyre. By: Juan Diego Pérez Moreno.

– Treno: resistances, threshold and distinction. Alejandra Gómez Vélez. National recognition to criticism and essay. Ministry of Culture and Universidad de los Andes.

– Río Adentro. Video Installation and Photography. María Belén Sáez de Ibarra, 2009.

– Deep inside the river, Video installation and Photography. María Belén Sáez de Ibarra, 2009.

– Look at the Bias, María Victoria Uribe. Unanswered Book. Cultural Dissemination National University. 2009.

– Politics of an Audiovisual Tragedy. Gustavo Chirolla, Deleuze and contemporary art Stephen Sepke. Edinburgh University Press. 2010.

– Politics of the scream in a Trenody. Gustavo Chirolla, catalog 2009

– Treno. Unanswered Book, Divulgación Cultural Universidad Nacional. 2009. María Belén Sáez de Ibarra. 

– Sound and visual collections of scenarios of memories of violence. Istituto Italiano di ScienzeUmane del Universita di Siena-Italia, Catalia Cortés Severino. 2009.

– Speech Acts. Exhibition text. Museo de Arte Universidad Nacional, 2009. María Belén Sáez de Ibarra.

– Treno (Funeral Song). Unanswered Book, Cultural Dissemination, National University. 2009. Clemencia Echeverri. 

– Treno. Unanswered Book, Cultural Dissemination, National University. 2009. Martha Rodriguez.

– Treno, sonorous visuality. Unanswered Book, Cultural Dissemination National University. 2009. María Victoria Uribe.

Muta

– Muta. Libro Sin Respuesta, Divulgación Cultural Universidad Nacional. 2009. Martha Rodríguez.

Voice

– Art and technological mediation, intersections between interactivity, language and subjectivity. The project Voice of Clemencia Echeverri. 2020. Griselda Guarnieri, PhD.

– Visual poetics mediated by technology. The necessary opacity. Notebooks of the Center for the Study of Design and Communication. 2013. Susana Pérez Tort.

– Voice Biennial Liverpool. María Belén Saez de Ibarra, presentation, 2010.

– Voice, Clemencia Echeverri. Unanswered Book. Cultural Dissemination National University. 2009.

– Voice sound installation. Clemencia Echeverri Unanswered Book, National University Cultural Disclosure. 2009.

– Voice net, video and navigation platform. Speech acts. Unanswered Book, Cultural Dissemination National University. 2009. 

– Voice, resonances of the prison. Martha Rodríguez. Unanswered Book, National University Cultural Dissemination. 2009.

– The Panopticon or Penitentiary Architecture. Cristina Lleras, catalog. 2006. 

– Visibility without compensatory image. Voice, resonances of the prison. By Clemencia Echeverri. Art and locality: models to disarm. Page 175-182.

– The persistence of anguish: memory, absence and voice in Colombian video art. Carolina Acosta Martínez. National University of Colombia. 2014.

Acidia

– The Baroque image factory, cloisters and female bodies. Three moments: Sister Josefa del Castillo, Clemencia Echeverri and María Teresa Hincapié. Sol Astrid Giraldo. University of Antioquia. 2021.

– About Acidia. Juan Diego Pérez.

– Acidia. Unanswered Book, Cultural Dissemination National University. 2009. Martha Rodríguez.

– Acidia Anomie. Unanswered Book, National University Cultural Dissemination. 2009. Martha Rodríguez.

– Acidia Anomie. Catalog 40 years of the National Salon of artists. 2006. Natalia Gutierrez.

Quiasma

– Isea 2004. Tallinn Conference. Abstract.

– Between interface and displacement. Clemencia Echeverri, 2002.

– Quiasma. By Bárbara Santos, Andrés Burbano, Santiago Ortiz and Clemencia Echeverri. 2003.

– Quiasma: audiovisual experience through a territory in tension. Isea 2004, Tallin conference.

– Geopolitics and Media. By Bárbara Santos, Andrés Burbano, Santiago Ortiz and Clemencia Echeverri.

Lime and Canto

– Cal y Canto a video installation by Clemencia Echeverri. Yesca y Pedernal magazine, Universidad Eafit. 2003. By: Imelda Ramírez.

– Cal y Canto. Catalogue, 2002. Ana María Lozano.

Exhausted can still fight

– Annotations for an agonic topology. By: Carlos Jiménez, catalog. 2000.

– Clemencia Echeverri and the conflict of spaces. By: Carlos Jiménez. 2001.

– Even though exhausted, he still fight. By: Carlos Jiménez (catalog) 2000.

Double-edged

– Memories: concepts, stories and shared experiences. Chapter: Medellín (1980 – 2013) the cracks in the mirror. Art, violence and memory. Sol Astrid Giraldo. University of Antioquia. 2020.

– De doble filo, Actos del Habla. Book Without Response. Cultural Dissemination, National University. 2009. 

Family Appetites

– Family Appetites. Acts of Speech. Unanswered Book, Cultural Dissemination National University. 2009. By: María Belén Sáez de Ibarra. 

– Apetitos de Familia. Art Nexus Magazine, No. 99, 2004. By: Marta Rodríguez.

Intimate house

– Intimate house. Artefacto Magazine. Marta Rodríguez.

– Intimate House, fragment. Interview with Piedad Bonnet. Catalog. 2006.

Academic Theses

– The voices of the unspeakable in five video installations by Clemencia Echeverri. Mónica Uribe, Master’s thesis. Universidad de los Andes. 2020.

– Contemporary Colombian art: ethical archives. Natalia Gutiérrez, doctoral thesis. Universidad Nacional de Colombia. 2016.